[ 01 ] THE SHOT
Hero shots
The shot the budget cut. Back in the film.
01 / 03
Making More
Movies
Possible
Movies
Possible
Hollywood shots,
a fraction of the cost.
Hollywood shots,
a fraction of the cost.
A killer shot can be the most memorable take-away for an audience. The problem is budget, or at least it used to be. We help you lift your production values beyond what your budget could achieve.
Hollywood quality at a fraction of Hollywood cost.
The aerial over the city. The car through the window. The army on the ridge. The shots that break a budget, rendered to match your footage for a fraction of the traditional cost.
A scene that didn't land. A missing insert. A continuity fix found in the edit. Fixed without reopening the budget months after wrap. We rebuild the moment and match it to your cut, with talent approval.
Features, series and shorts produced entirely in our workflow, giving smaller productions the scale and polish of a studio picture. Currently in production on a 60-episode drama series.
Your script, seen before it's made. A teaser rendered straight from the pages, built to help you sell it, attach talent and raise the money. See the formats →
Production value that once belonged to the biggest films, now within reach of every film.
A tentpole hero shot easily runs to $350K, and often far more. Now that kind of moment can fit an independent budget, and make the whole film bigger.
A reshoot months after wrap can cost money most independent films simply don't have. We help you finish the film you set out to make.
One large crowd scene: 200 extras, closed streets, multiple cameras. It runs north of $300,000 a day.
A typical indie feature's entire budget rarely clears $1–2M. One crowd day can swallow a fifth of it, so the scene gets cut. With MAINFRAME, it stays in.
Four steps. Matched to your footage. Ready for your edit.
Send the pages, the plates, the reference and the cut. We do the rest.
A prompt director boards every shot and locks lens, palette and continuity to your footage.
A rough for review within days. Your notes, our revisions, then final.
ProRes 4K, conform-ready for your editor. Notes welcome for fourteen days.
For writers and producers taking a script to market. PDF in, reel out, in twelve days.
The reel that gets the deal, for rooms like Apple, Plan B, A24 and AFM.
A moving palette, period and frame for director attachment and talent packaging.
For features and limited series. Used to option, attach and pre-sell across territories.
We work with producers, production companies and studios, in production, in post and in development. We deliver hero shots, reshoots and complete productions for a fraction of what traditional methods cost, and in a fraction of the time. Founded by Tony Martin, based in the Hollywood Hills, working internationally.
We are not a prompt box. We are a community of creatives with a proprietary workflow. We bring shot continuity, palette discipline and director intent, encoded in processes built by industry professionals, with a human signing off on every frame.
A highly experienced team of filmmakers, technologists and finishers, with one eye on every frame.
01
02
03
04
05
It's our little secret.
AI is a sensitive subject in this industry: with audiences, with talent, with distributors and with the people who finance films. We understand that. So discretion is built into everything we do.
We never name clients or projects without specific permission. Not on this site, not in a pitch, not in conversation.
Every clip featured on this site comes from our own in-house projects. None of it is client work.
We are here to help you please your audience and your film financiers. The film, and the credit, belong to you.